Millesimi is a reflection on identity over time and space. A space that belongs to everyone and to no one, where people clash,
but do not meet.
The thousandths define, as ownership shares of a condominium, the belonging to that place: a space that includes
which defines identity and passage of time. The collection of passport photos - those that we exceed from the burocratic need
and that we often keep - carried out in a whole building is a choral photograph, an archive of faces of those
who belong to that place.